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Rita Cameron’s ‘Ophelia’s Muse’

“I’ll never want to draw anyone else but you. You are my muse. Without you there is no art in me.”

With her pale, luminous skin and cloud of copper-coloured hair, nineteen-year-old Lizzie Siddal looks nothing like the rosy-cheeked ideal of Victorian beauty. Working in a London milliner’s shop, Lizzie stitches elegant bonnets destined for wealthier young women, until a chance meeting brings her to the attention of painter and poet Dante Gabriel Rossetti. Enchanted both by her ethereal appearance and her artistic ambitions–quite out of place for a shop girl–Rossetti draws her into his glittering world of salons and bohemian soirees.

Lizzie begins to sit for some of the most celebrated members of the Pre-Raphaelite Brotherhood, posing for John Everett Millais as Shakespeare’s Ophelia, for William Holman Hunt–and especially for Rossetti, who immortalizes her in countless paintings as his namesake’s beloved Beatrice. The passionate visions Rossetti creates on canvas are echoed in their intense affair. But while Lizzie strives to establish herself as a painter and poet in her own right, betrayal, illness, and addiction leave her struggling to save her marriage and her sense of self.

I was initially drawn to this book for two reason, one of which (as is to be expected) was to find out more about the subjects of the novel the other being that having been introduced to and thoroughly enjoying biographical fiction through The Determined Heart.  Having studied Pre-Raphaelite art and Christina Rossetti briefly at university I was intrigued to know more about them and their lives and this book offered a more interesting way to explore their lives than an ordinary biography or google. Part of me also wanted to see if I would enjoy the genre as much as I did when reading about Mary Shelley or if it was just a fluke; which I can now confidently say it was not. It’s difficult not to draw comparisons between Lizzie Siddal and Mary Shelley as they seem to have lead very similar lives dealing with the same difficulties. Both showed artistic talent in a world that was dominated by men, both had their reputations ruined due to pre-marital affairs, both had to cope with the loss of a child/ren as well as unfaithful husbands. The difference between the two women is that one of them managed to overcome all adversity and the other was crushed by it. However, neither are given the recognition they deserve for their the accomplishments they achieved in spite of the difficult lives they lead.

In this particular novel, Rita Cameron adopts a very relaxed style of narrative that occasionally can leave the writing feeling in authentic but mostly allowing the reader to better connect with the storyline and characters. It is clearly very well researched but as with all biographical fictions you are left wondering how much is accurate and how much is embellished as it is impossible to know what a person was truly thinking at any one moment in their lives or the exact wording of a private conversation. However, at the end of the book there is a very informative and insightful Q/A session with Cameron explaining her interest and writing influences. For example, I found it interesting to note that when researching for the book she began by looking at all the paintings and works of the characters featured in order to gain an impression of them, a truth that shines across time through their work, before looking at biographies and letters etc. She states that her particular method was to effectively use factual biographical events to structure the novel but the private scenes between characters where born out of her impression of the people themselves gained through their works. To have this insight into the writer and the writer’s processes, especially as a début author, I found not only invaluable but also integral to my understanding of the novel itself. The Q/A puts to bed any unease you feel about how much of the story you can take to heart as fact or just another fiction.

When looking at this period in art the focus is largely dominated by the Pre-Raphaelite ‘Brotherhood’ rather than ‘Sisterhood’ as I’ve seen it described on occasion. Therefore it is wonderfully refreshing to have the focus shifted from the pioneering men to the revolutionary women, more revolutionary in fact as it was seen as just an idle past time for women rather than an actual worthy pursuit. However, once again I can’t help feeling rankled by the inequality and often times injustice foisted upon women. Rather than tear off on a rant about how unfair the way of the world was, I will instead accept that there is nothing that any of us can do to change that period (or any) period in history and instead be thankful for all that has happened in between then and now to try to address the imbalance. However, I will mention that one of the things that shocked me was the way in which women were treated by the medical profession, perhaps I shouldn’t have been shocked but there you have it. Lizzie Siddal often suffered from ailing health for one reason or another and was seen by many doctors which Cameron includes in her life story. However, it is the idea that many of the doctors just sent her off with a handful of drugs and said ‘There, there, you must be tired. Stop painting, it’s too hard on you, it’s a men’s pursuit anyway and get some rest. Perhaps go for a walk, you’ll be fine’. Yes, I know at this point I’m once again supposed to say, society wasn’t as advanced as it is now they didn’t know any better, I should judge history by modern norms but come on! But fine a shall say no more on the subject, just that although I know that I’m not supposed to dwell on these things I do anyway and there’s nothing you can do to stop me! So there!

What I did enjoy about the novel was the ‘supporting cast’ if you will, the other characters/artists that float in and out of the her life and therefore the story. Why I loved it was because you get the impression that they all have their own stories to tell but because they are not the focus of the novel their appearances are more like cameos. Almost as if a person’s life is like a corridor that you’re wandering down and you come across a door with someone else’s name on it, you could choose to open it and wander down their corridor or stick with the one you’re on. For example, Lizzie’s life story intersects with John Millais, the effects of which change her life forever, but then his name is brought up here and their in passing. Such as his affair with and subsequent marriage to Effie Grey, about whom a movie was not long ago released, but because the story is focused on Lizzie, that particular storyline is just let go. I love the idea that each artist has their own story that intertwines with all the others but is fundamentally its own. If Rita Cameron were to write a similar book for each of them as a collection I’d read every one. But once again I’m rambling. But I will say that Rita Cameron leaves you with a desire to know more, see more and read more which is what I think an enjoyable novel should do, the moment you close the last page you want to open another. I enjoyed and was thoroughly moved but this novel, I personally can’t wait to see what Cameron does next!

The novel is out on the 29/09/15, so let me know what you think?

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Posted by on September 8, 2015 in Literature Review


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Made in Dagenham

Made in Dagenham: West End Musical Starring Gemma Arterton

I really should start this first post of the year with an apology for it being so late! I do apologise, it has taken me this long to get Christmas coursework out of the way and get my feet back under me as far as coursework goes. But finally I’m once again able to find the time to luxuriate in the pleasure that is recreational reading! Simple pleasures! So I am in the process of reading a new book for review as over Christmas I only got the chance to take in a show. But what a show it was!

Made in Dagenham is not a show that I would ordinarily choose to see, I couldn’t tell you why, but what swung it for me was Gemma Arterton and the fact that Westend 4 £10 had tickets available. Now, for those who are unfamiliar with Westend 4 £10, it’s an organization that offers theatre tickets to 16-25 year olds for £10 (you would still need to pay travel and booking fees of course) but they usually only offer one single showing so if you can’t make it, you miss it. But on this particular occasion I thought, why not? Below is the description from the official website:

Essex 1968. Like millions of other working women, each morning Rita O’Grady is just trying to get her husband out of bed, get the kids off to school and get to work at the factory on time. But life is about to change forever when it’s announced that the girls in the stitching room of Ford’s Dagenham car plant will have their pay grade dropped to ‘unskilled’. Quickly drawing on a strength she never knew she had, Rita leads her friends in a battle against the might of Ford and the corruption of the Union supposed to protect them. As the girls’ inspiring journey gets bigger than anyone could have imagined, the pressure is too much for some, but can Rita keep up the fight and the happy home she’s worked so hard for?

I’d not seen the film so once again I knew very little about what to expect going in. As soon as you sit down, before the play even starts, you begin to get a feel for the musical with all the colours of the sixties on the stage curtains. Musicals aren’t exactly known for their subtle nature and this musical takes full advantage of that. The style, the east-end accent, the songs are all shown off to their utmost, even to the extent that you could hear the east-end accents through the singing! But that all added to its charm and character, it is not your typical Broadway and it doesn’t go out of its way to be what its not.

I was very impressed with Gemma Arterton’s voice, you can only assume that she wouldn’t have taken the job if her voice was up to scratch but I didn’t know what to expect as I’ve never seen her in a singing role before. By all means, she held her own as the leading lady and vocalist some of the actresses could have torn the roof off their lungs were so powerful. Sophie Issacs is one who takes you by surprise, just a tiny woman who saunters on stage looking almost Parton-esque with the big blond hair and the short dress when suddenly a massive voice erupts out of her. Took us all quite by surprise. Another actress with the most fantastic voice was Emma Lindars, largely over looked throughout the show but her presence is always felt as you can hear it is her voice that drives the songs. To my ears she was the most talented voice in the room. But, by far my favourite character was Beryl played Sophie Stanton. Loud mouthed, sweet hearted and swearing like a sailor, for me she best represents the east-end. There wasn’t as single line she said that didn’t have me in stitches.

That’s what is best about this show, the characters. They all serve their purpose and make you fall in love with them or hate them or route for them or make you want to push them down a flight of stairs. They make you feel. The only character I couldn’t really get to grips with was the dear old Prime Minister Harold Wilson played, brilliantly I hasten to add, by Mark Hadfield. The performance was fantastic, absolutely hilarious in his characterisation but I was always aware that I was missing a whole other level of the humour because of the generation gap and ignorance on my part. I was not at all familiar with Wilson as a Prime Minister before going to see the show, but having since googled the man I can see that the hilarity of Hadfield’s performance far exceeds what I was able to appreciate at the time.

There was one song in particular, introducing the American owner of Ford, about how America is amazing and how wherever there’s an American IS America. I promise it’s not as bad as it sounds and is actually very funny as it’s way over the top in a way that’s almost facetious. However, there is a specific section of that specific song in which he lists a load of words that the British and Americans say differently, like oregano, route, basil etc. But I’m sure I heard him say ‘yoga’ in that list… I was unaware that there was more than one way to say yoga? It is possible that I miss heard ‘yoghurt’ which is said differently, the American ‘yo-gurt’ and the British ‘yog-urt’ but I was fairly certain, and stunned, that he said yoga! Really through me for a loop. And as you can probably tell, I’m still not over it! Anyway, I digress.

The only thing that I didn’t like about the musical was the attitude that the male characters had towards women. It wasn’t just when the men told the male lead to keep his woman under control and the idea that women can easily be appeased and ignored. It was the lack of respect and support between husband and wife, and when the children were taken away from their mother and she did nothing to stop it I felt real anger. But if anything, that makes the performance even better. You can’t be annoyed with the musical for portraying unequal relationships between men and women, it’s set in the 60s! In which case I should be mad at the 60s which is beyond pointless. However the fact that it was so successful at making me emotional shows the way the musical makes you invest in their characters and the world they portray. That being said, its probably apparent from various previous posts that I get emotional at the drop of a hat so make of that what you will.

Like most things, I liked the musical over all. It’s always fun being told an new story and learning some history to boot. Plus I find that a musical is always a fun way to spend an evening but this musical had the added bonus of allowing me to go home to London and spending some time with my friends doing something vaguely cultural for once. If you get the chance I would encourage you to go and see it, I believe it is running at the Adelphi until 11th of April. It truly is a great night out.

Have you seen the show or the film before? Let me know what you thought of it?

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Posted by on February 26, 2015 in Theatre Review


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